Why Sony Can't Make a Good Spider-Man Spinoff — A History of Failure
Morbius. Madame Web. Kraven. Sony keeps trying and the results keep getting worse.
Patterns of waste. Directors who keep failing up. Studios addicted to IP. Someone has to say it.
Morbius. Madame Web. Kraven. Sony keeps trying and the results keep getting worse.
When your signature style becomes a substitute for substance, you end up with Rebel Moon.
The studio that made The Lion King now makes Wish. What happened?
The most expensive content pipeline in history produces the most forgettable movies in history.
In 1999, the top 10 included The Matrix, Fight Club, and The Sixth Sense. In 2023, it was all sequels.
$146M on Moonfall. The moon. Falling. Someone said yes to this.
The MCU went from Endgame to "what are we even doing?" and the budgets kept climbing.
If it made money once, make it again. And again. And again. Until it doesn't.
When the goal is "enough content to prevent churn," quality becomes optional.
Some people make great movies. Some people make great donuts. Both are valid careers.
Apple spent $20B+ on original content. Most people still can't name 5 Apple TV+ movies.
David Zaslav cancelled finished movies for tax write-offs, gutted HBO, and still can't figure out DC.
Studios spent decades underpaying VFX artists. Now they want to replace them entirely.
Every franchise follows the same arc: excitement, repetition, diminishing returns, death. Here's the data.
Studios stopped asking "is this good?" and started asking "does this test well?" The results are everywhere.